{"_buckets": {"deposit": "b0f66a63-38f9-43bb-8d29-8a3c22d8bc07"}, "_deposit": {"id": "8147", "owners": [], "pid": {"revision_id": 0, "type": "depid", "value": "8147"}, "status": "published"}, "_oai": {"id": "oai:kitami-it.repo.nii.ac.jp:00008147", "sets": ["7:16:73"]}, "author_link": ["312"], "item_2_biblio_info_6": {"attribute_name": "\u66f8\u8a8c\u60c5\u5831", "attribute_value_mlt": [{"bibliographicIssueDates": {"bibliographicIssueDate": "2016-03", "bibliographicIssueDateType": "Issued"}, "bibliographicIssueNumber": "12", "bibliographicPageEnd": "66", "bibliographicPageStart": "49", "bibliographic_titles": [{"bibliographic_title": "\u4eba\u9593\u79d1\u5b66\u7814\u7a76"}]}]}, "item_2_description_4": {"attribute_name": "\u6284\u9332", "attribute_value_mlt": [{"subitem_description": "Concentrically in the past ten years in Japan, some studies on the notion of \u201cnostalgia\u201d have been published. They extend over some different domains of science: sociology, psychology, aesthetics and cultural studies. It shows that \u201cnostalgia\u201d is an important state of sentiment for a human being of today. This article treats the notion of \u201cnostalgia\u201d from a point of view of aesthetics. More concretely, it shows the meaning and the siginificance of the notion of \u201cnostalgia (nostalgie)\u201d of Etienne Souriau(1892-1979) by referring to his article: La nostalgie comme sentiment esthetique(1949). In this process we can survey the whole aesthetic thinking of Souriau.\n In the sentiment of nostalgia, Souriau says, \u201cthe absent(l\u2019absent)\u201d is more \u201creal(reel) \u201c than \u201cthe present(le present)\u201d which is \u201cunreal(irreel)\u201d. When we feel nostalgia for something, we regard \u201cover there(au dela)\u201d positive and \u201chere(ici)\u201d negative. Artists dissolve this negative sentiment for here not at all by \u201creturning(retour)\u201d to their native home but by \u201cmaking(faire) a home which is much more purely native\u201d. When a poet writes a poem about a thing he lost, the poem is not the actual thing that he lost, but it is a substitute for that thing. Moreover the\n\u201ccharm(charme)\u201d of the poem even surpasses the charm of the thing he lost.It is by the fact that the thing the poet lost is not present that he can transform the extensive  distance(distension)\u201d from the thing into the \u201cintensity(intensite)\u201d of nostalgia for it and can purify the essence of the thing by intensifying his sentiment.\n This is the mechanism which brings the sentiment of nostalgia from its \u201cesthetisation\u201d to its \u201dartialisation\u201d. Moreover, Souriau deals with \u201cparadoxical nostalgia(paradoxale nostalgie)\u201d which goes from its \u201dartialisation\u201d to its \u201cesthetisation\u201d. He means by this notion that a painter, for example, who is trying to make something, finds it as something lost in the landscape in front of him and paradoxically feels nostalgia for it.\n As a result, artists make an art because they feel nostalgia for it, and feel nostalgia for it because they make it. In the \u201cdialectic circle\u201d of \u201cesthetisation\u201d and \u201cartialisation\u201d, artists make \u201celsewhere(ailleurs)\u201d \u201chere(ici)\u201d without losing the essence of \u201celsewhere\u201d. In other words, the \u201cgiven(donnee)\u201d of the sentiment of nostalgia holds in itself the \u201cwhole architectonic of the world(architectonique du monde) \u201d. This is why Souriau calls nostalgia a \u201ccreative sentiment(sentiment createur)\u201d.", "subitem_description_language": "en", "subitem_description_type": "Abstract"}]}, "item_2_identifier_registration": {"attribute_name": "ID\u767b\u9332", "attribute_value_mlt": [{"subitem_identifier_reg_text": "10.19000/0000008147", "subitem_identifier_reg_type": "JaLC"}]}, "item_2_publisher_32": {"attribute_name": "\u51fa\u7248\u8005", "attribute_value_mlt": [{"subitem_publisher": "\u5317\u898b\u5de5\u696d\u5927\u5b66"}]}, "item_2_rights_12": {"attribute_name": "\u6a29\u5229", "attribute_value_mlt": [{"subitem_rights": "C 2016 \u5317\u898b\u5de5\u696d\u5927\u5b66"}]}, "item_2_select_15": {"attribute_name": "\u8457\u8005\u7248\u30d5\u30e9\u30b0", "attribute_value_mlt": [{"subitem_select_item": "publisher"}]}, "item_2_subject_16": {"attribute_name": "\u65e5\u672c\u5341\u9032\u5206\u985e\u6cd5", "attribute_value_mlt": [{"subitem_subject": "701", "subitem_subject_scheme": "NDC"}]}, "item_access_right": {"attribute_name": "\u30a2\u30af\u30bb\u30b9\u6a29", "attribute_value_mlt": [{"subitem_access_right": "open access", "subitem_access_right_uri": "http://purl.org/coar/access_right/c_abf2"}]}, "item_creator": {"attribute_name": "\u8457\u8005", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "\u6625\u6728, \u6709\u4eae", "creatorNameLang": "ja"}, {"creatorName": "\u30cf\u30eb\u30ad, \u30c8\u30e2\u30a2\u30ad", "creatorNameLang": "ja-Kana"}, {"creatorName": "HARUKI, Tomoaki", "creatorNameLang": "en"}], "nameIdentifiers": [{"nameIdentifier": "312", "nameIdentifierScheme": "WEKO"}, {"nameIdentifier": "9000006507169", "nameIdentifierScheme": "CiNii ID", "nameIdentifierURI": "http://ci.nii.ac.jp/nrid/9000006507169"}, {"nameIdentifier": "80469535", "nameIdentifierScheme": "KAKEN - \u7814\u7a76\u8005\u691c\u7d22", "nameIdentifierURI": "https://nrid.nii.ac.jp/ja/nrid/1000080469535"}]}]}, "item_files": {"attribute_name": "\u30d5\u30a1\u30a4\u30eb\u60c5\u5831", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_date", "date": [{"dateType": "Available", "dateValue": "2016-11-22"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "\u3010\u8ad6\u65873\u3011\u6625\u6728 p.49-66.pdf", "filesize": [{"value": "362.5 kB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "licensetype": "license_note", "mimetype": "application/pdf", "size": 362500.0, "url": {"label": "\u5c06\u6765\u3078\u306e\u5e30\u9084\u3001\u904e\u53bb\u3078\u306e\u6295\u4f01\u2015\u30a8\u30c1\u30a8\u30f3\u30cc\u30fb\u30b9\u30fc\u30ea\u30aa\u306e\u3001\u5275\u9020\u3059\u308b\u300c\u30ce\u30b9\u30bf\u30eb\u30b8\u30fc\u300d", "objectType": "fulltext", "url": "https://kitami-it.repo.nii.ac.jp/record/8147/files/\u3010\u8ad6\u65873\u3011\u6625\u6728 p.49-66.pdf"}, "version_id": "b40cf063-4d2c-4d36-b8ca-a6dc111bf2cf"}]}, "item_language": {"attribute_name": "\u8a00\u8a9e", "attribute_value_mlt": [{"subitem_language": "jpn"}]}, "item_resource_type": {"attribute_name": "\u8cc7\u6e90\u30bf\u30a4\u30d7", "attribute_value_mlt": [{"resourcetype": "departmental bulletin paper", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "\u5c06\u6765\u3078\u306e\u5e30\u9084\u3001\u904e\u53bb\u3078\u306e\u6295\u4f01\u2015\u30a8\u30c1\u30a8\u30f3\u30cc\u30fb\u30b9\u30fc\u30ea\u30aa\u306e\u3001\u5275\u9020\u3059\u308b\u300c\u30ce\u30b9\u30bf\u30eb\u30b8\u30fc\u300d", "item_titles": {"attribute_name": "\u30bf\u30a4\u30c8\u30eb", "attribute_value_mlt": [{"subitem_title": "\u5c06\u6765\u3078\u306e\u5e30\u9084\u3001\u904e\u53bb\u3078\u306e\u6295\u4f01\u2015\u30a8\u30c1\u30a8\u30f3\u30cc\u30fb\u30b9\u30fc\u30ea\u30aa\u306e\u3001\u5275\u9020\u3059\u308b\u300c\u30ce\u30b9\u30bf\u30eb\u30b8\u30fc\u300d", "subitem_title_language": "ja"}, {"subitem_title": "Return to the future, project for the past: The creative \u201cnostalgia\u201d of Etienne Souriau", "subitem_title_language": "en"}]}, "item_type_id": "2", "owner": "1", "path": ["7/16/73"], "permalink_uri": "https://doi.org/10.19000/0000008147", "pubdate": {"attribute_name": "PubDate", "attribute_value": "2016-03-28"}, "publish_date": "2016-03-28", "publish_status": "0", "recid": "8147", "relation": {}, "relation_version_is_last": true, "title": ["\u5c06\u6765\u3078\u306e\u5e30\u9084\u3001\u904e\u53bb\u3078\u306e\u6295\u4f01\u2015\u30a8\u30c1\u30a8\u30f3\u30cc\u30fb\u30b9\u30fc\u30ea\u30aa\u306e\u3001\u5275\u9020\u3059\u308b\u300c\u30ce\u30b9\u30bf\u30eb\u30b8\u30fc\u300d"], "weko_shared_id": -1}