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  1. 紀要掲載論文
  2. 北見工業大学人間科学研究
  3. Vol.9

Blood and Disguise in Venice

https://doi.org/10.19000/0000007572
4cc81bb7-1dbd-4d98-a81d-73863b09c31a
名前 / ファイル ライセンス アクション
vol9_4.pdf vol9_4.pdf (61.2 kB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2014-01-10
タイトル
言語 en
タイトル Blood and Disguise in Venice
言語
言語 eng
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
ID登録
ID登録 10.19000/0000007572
ID登録タイプ JaLC
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
著者 鳴島, 史之

× 鳴島, 史之

WEKO 89965
KAKEN - 研究者検索 20180549
CiNii ID 9000002349451

ja 鳴島, 史之

ja-Kana ナルシマ, フミユキ

en NARUSHIMA, Fumiyuki

Search repository
抄録
内容記述タイプ Abstract
内容記述 There were two ways to attract people’s attention on the Elizabethan stage. One is using blood and the other is disguise. Usually, calves’ blood was used when they tried this primitive way to attract the audience’s attention. But blood may have had some disadvantages. In the indoor theatres, using blood cannot have been very practical, as it must have been very hard to wash it away. Moreover, the gorgeous costume was one of the reasons why gradually real blood became unused.
The other device to attract the attention is disguise. Most of the famous actors belonged to the theatre, so their face was very familiar to the people. Disguise in that period meant that the actor hid their identity behind the roles. But the audience was able to see through the character and find who they really are. This can be a real fun for those theatre-goers. Compared with blood, disguise is a refined, sophisticated way to attract attentions.
言語 en
書誌情報 人間科学研究

巻 9, p. 53-59, 発行日 2013-03
著者版フラグ
値 publisher
出版者
出版者 北見工業大学
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