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  1. 紀要掲載論文
  2. 北見工業大学人間科学研究
  3. Vol.8

Visible Passion and an Invisible Woman: Theatrical Oroonoko

https://doi.org/10.19000/0000007534
ebcdbded-00e0-4329-b8a4-7be8e6850d58
名前 / ファイル ライセンス アクション
vol8_1.pdf vol8_1.pdf (390.2 kB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2012-12-27
タイトル
言語 en
タイトル Visible Passion and an Invisible Woman: Theatrical Oroonoko
言語
言語 eng
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
ID登録
ID登録 10.19000/0000007534
ID登録タイプ JaLC
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
著者 Fukushi, Wataru

× Fukushi, Wataru

WEKO 38564

en Fukushi, Wataru

Search repository
抄録
内容記述タイプ Abstract
内容記述 This paper aims to explain the dynamics behind the whitening of Imoinda in Thomas
Southerne’s Oroonoko. We could argue that a particular mindset which involved the
whitening of Imoinda can be detected by observing the theatricality of the play. The text
of Oroonoko aims to visualize the inner passions of players through their motions, based
on the acting theory of that time. Those passions were the key factor in bringing the
audience and the players together. Through the interaction among the theatre company
and the theatregoers, a white female body was required to share a ‘universal’ passion.
内容記述
内容記述タイプ Other
内容記述 This paper is based on my oral presentation at the 48th Conference of The Shakespeare
Society of Japan. Also, this work was supported by KAKENHI 21720085.
書誌情報 人間科学研究

巻 8, p. 1-23, 発行日 2012-03
著者版フラグ
値 publisher
出版者
出版者 北見工業大学
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