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King Lear のOverplotについて
https://kitami-it.repo.nii.ac.jp/records/6183
https://kitami-it.repo.nii.ac.jp/records/6183a60532f7-8703-4fa7-b311-f77e57022e1f
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
1-4-11.pdf (4.1 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2007-04-09 | |||||
| タイトル | ||||||
| タイトル | King Lear のOverplotについて | |||||
| 言語 | ja | |||||
| 言語 | ||||||
| 言語 | eng | |||||
| 資源タイプ | ||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||
| タイプ | departmental bulletin paper | |||||
| その他のタイトル | ||||||
| その他のタイトル | On the Overplot of Shakespeare’s King Lear | |||||
| 言語 | en | |||||
| 著者 |
山本, 幸男
× 山本, 幸男 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 31694 | |||||
| 姓名 | Yukio, YAMAMOTO | |||||
| 言語 | en | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Harry Levin’s paper on “the Shakespearian Overplot” is the most attractive and suggestive one in the repetitive form in fiction, not precisely the convention “double plot”. His theory embodies the abstract over the plots into the concret as a part of the dramatic architecture. It is here that I am very much interested in. In this paper l applied his theory “overplot” to King Lear, which constitutes more organic unity than 1 Henry IV does, though it was exarnined as an exarnple in his paper. The conclusion drawn from my experimental research is as follows : if the relationship between Lear and his three daughters be the main plot, between Gloucester and his sons be the underplot, and then the relationship between Lear and outer nature at the most exalted level to be discriminated and named ; the term “overplot” can be used to indicate this relationship. The overplot is a glimpse exemplifying some grander design, an indication that the play at hand is but an interlude from a universal drama performed in the great theatrum mundi: King Lear shows the microcosm of man subjected to the decay and cruelty in the rnacrocosrn of outer nature. And then I assigned to the overplot a role of visual grammar towards Shakespeare’s deeper signifiance mentioned above?universality. Thus we could bring back King Lear from the study to the stage, I believe. | |||||
| 言語 | en | |||||
| 書誌情報 |
ja : 北見工業大学研究報告 巻 1, 号 4, p. 99-108, 発行日 1966-03 |
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| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | application/pdf | |||||
| 著者版フラグ | ||||||
| 言語 | en | |||||
| 値 | publisher | |||||
| 出版者 | ||||||
| 出版者 | 北見工業大学 | |||||
| 言語 | ja | |||||
