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信者の不実 --シェイクスピア劇に現れる傷の表象について—
https://doi.org/10.19000/0000008642
https://doi.org/10.19000/000000864289c70704-47e7-48af-b0ba-dc3bb8c5d3d7
名前 / ファイル | ライセンス | アクション |
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2018-03-26 | |||||
タイトル | ||||||
タイトル | 信者の不実 --シェイクスピア劇に現れる傷の表象について— | |||||
言語 | ja | |||||
タイトル | ||||||
タイトル | Unbelieving Believers -Representation of Wounds on Shakespearean Stage- | |||||
言語 | en | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源 | http://purl.org/coar/resource_type/c_6501 | |||||
タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.19000/0000008642 | |||||
ID登録タイプ | JaLC | |||||
アクセス権 | ||||||
アクセス権 | open access | |||||
アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
著者 |
鳴島, 史之
× 鳴島, 史之 |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | In this paper, I deal with some problems concerning stage business whenthe actors are wounded on Shakespearean stage. As we do not hurt real actors, we rely on animal blood, cloth to cover bodies, prostheses or other artificial equipment on modern stages. But this kind of performing was not needed on the Elizabethan stages. Because they attended churches, Elizabethan London citizens easily believed that Christ’s body resided inside bread and were able to see things that really did not exist. This kind of life style affected them when they were seeing plays. Wounded Lavinia, Edgar, and Coriolanus are actually in front of us on stage, but their identities are hidden together with their wounds deep inside their bodies. Using Ogai Mori’s and Yasumasa Okamoto’s theories, I try to reveal some of the mysteries of Shakespearean characters’ subjectivity. |
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言語 | en | |||||
書誌情報 |
ja : 人間科学研究 号 14, p. 23-41, 発行日 2018-03 |
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ISSN | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 1349-5526 | |||||
権利 | ||||||
権利情報 | ©北見工業大学 | |||||
著者版フラグ | ||||||
言語 | en | |||||
値 | publisher | |||||
出版者 | ||||||
出版者 | 北見工業大学 | |||||
言語 | ja |