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  1. 紀要掲載論文
  2. 北見工業大学人間科学研究
  3. Vol.13

「恰好」から「かっこいい」へ—適合性suitability の感性化

https://doi.org/10.19000/0000008503
https://doi.org/10.19000/0000008503
62637e66-947d-4f9a-a34e-c1e58ece528e
名前 / ファイル ライセンス アクション
論文1 春木 1-30.pdf 論文1 春木 1-30 (699.0 kB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2017-03-28
タイトル
言語 ja
タイトル 「恰好」から「かっこいい」へ—適合性suitability の感性化
タイトル
言語 en
タイトル From Kakkou To Kakkoii: Aestheticization of suitability
言語
言語 jpn
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
ID登録
ID登録 10.19000/0000008503
ID登録タイプ JaLC
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
著者 春木, 有亮

× 春木, 有亮

WEKO 312
CiNii ID 9000006507169
KAKEN - 研究者検索 80469535

ja 春木, 有亮

ja-Kana ハルキ, トモアキ

en HARUKI, Tomoaki

Search repository
抄録
内容記述タイプ Abstract
内容記述 The Japanese word Kakkoii, used mostly by children and teenagers, was a buzzword in the 1960s and then became a common word during the 1990s. This word, as well as Kawaii, has created its own field of culture and of aesthetics. However, there is no analytic argument which shows the connotation of Kakkoii culture. This article treats the Japanese notion of Kakkoii as an “aesthetic quality”. Kakkou, a part of the origins of the word Kakkoii, was imported from China and used as an adjective verb and as a verb, at the latest, in the 15th century and as a noun in the 16th century. With such a syntactic change, the meaning of the word Kakkou varied from “to suit” itself to the state of a thing which is suited to another thing, or to the normative state of a thing. From the end of the 16th century to the 18th century, Kakkou came to mean the appearance of a thing which vaguely implies suitability, or of a thing no longer suitable. After the 18th century, the expression “Kakkou ga yoi/warui(Kakkou is good/bad)” frequently appeared in writing.
In the newer senses of the word Kakkou, the suitability which it signifies has been internalized for a thing, especially for the appearance of a thing. The suitability has become independent of Kakkou with its alternative, the positivity/the negativity and has been transferred to (the subject of) the judgement: “yoi/warui”. This author proposes that this visualization and this subjectificaiton of the suitability in the history from Kakkou to Kakkou ga yoi are the “aestheticization” of the suitability. Kakkoii, an adjectification of the phrase: “Kakkou ga yoi” became an educational issue in the 1960s. It was “a physical, sensual and visual value” in perceiving “sensitively” the “form” and the “figure” as “appearance” of a thing in the context of the time when the “visual cultures” as “photo, manga, television and advertisement” were developing(Tadao SATO,1964, and others). The use of the word Kakkoii was guilty of giving priority to the “appearance” and of decreasing the
value of the “substance”. However that is a way of life where “they construct the reality by imagination, going against the modern way of cognition, which attaches importance to the essence abstracted from the reality”(Jiro SAITO,1979). When “Kakko (カッコ) is not Kakkou(appearance)(格好) itself but the whole object including the essence expressed in the appearance of a thing”, we can start with a judgement of Kakkoii and create the “reality” from the “appearance” (SAITO,1979) to get the suitability of a thing. If this “paradoxical” structure makes the situation where the norm of the suitability which exists on the side of (the subject of) the judgment is brought back again by imagination to the side of the thing, we can add Kakkoii to the same line of “aestheticization” of the suitability from Kakkou to “Kakkou ga yoi”.
言語 en
書誌情報 人間科学研究
en : Studies of human science

巻 13, p. 1-30, 発行日 2017-03
ISSN
収録物識別子タイプ PISSN
収録物識別子 1349-5526
書誌レコードID
収録物識別子タイプ NCID
収録物識別子 AA12024974
権利
権利情報 c 北見工業大学
著者版フラグ
値 publisher
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