@article{oai:kitami-it.repo.nii.ac.jp:00007490, author = {照井, 日出喜 and Hideki, Terui}, issue = {5}, journal = {人間科學研究}, month = {Mar}, note = {application/pdf, In this paper, the directions of the stages are mainly discussed, which were performed in Berlin and Wien between September 6th and October 5th, 2008. Specifically, the following plays are analyzed and criticized: 8 Shakespeare’s works, 3 various “Faust” works, 2 Brecht’s works and 2 Kleist’s works, a drama of Camus and Genet, a stage version of Th. Mann and Ch. Wolf’s novel, and a modern play by Kater and Mouawad. Also 2 opera performances (“Tristan and Isolde” and “Rigoletto”) and 3 concerts (ROS, SWO-SO and DSO) in Berlin are inserted as “intermezzi” in narration. In connection with the direction of Th. Mann’s “Zauberberg (Magic Mountain)” and that of Brecht’s “Trommeln in der Nacht (Drums in the Night)”, several issues are raised as to the political process during and after World War I in Germany, i.e., the war itself and the revolution and counterrevolution right after the war, and the intellectuals’ statements on their attitude toward that political process, since both of them play an essential role in developing both of the works.}, pages = {14--49}, title = {現代ドイツの演劇状況(VIII)}, year = {2009} }